Glazed pottery, 115 grams, 94.31 x 37.29 mm. Circa 690 -1279 AD. A solid ceramic bowl that stands on a circular foot and is covered with a thick, viscous black and brown glaze applied in a way that allowed the two colours to mix. Sung dynasty scholars compared this type of glaze to the appearance of the fur of a black hare, hence the name "hare fur" striations. This style was the most popular during this period as it enhanced the natural colour of the tea. For practical purposes, the thick walls of the bowl also reduced the risk of burning one's hands from the hot tea, allowing the aroma to be appreciated more. Thus, bowls in black glaze such as this, a product of Chien-yang in Fukien province, were considered some of the finest utensils for the art of tea. Records also show that this ware was also admired and used at court in the Northern Sung. Reference: Mowry, R.D. Hare’s Fur, Tortoiseshell, and Partridge Feathers, Chinese Brown- and Black-Glazed Ceramics, 400-1400, Cambridge, Mass. 1995, p. 214. A good example in very fine condition. Provenance: from an old English collection.

Clay, 240 grams, 178 mm. Circa 1368-1644 AD. Frontal facing male servant standing upon integral two tier base, wearing long green glazed robes with long sleeves, hands clutching a short sword and scabbard. Good facial features surmounted by bun hairdo, some encrustation and loss of paint. Reference: for similar cf. Harrison-Hall BMC press 20:23. A good example in fine condition. Provenance: from an old English collection.

Glazed pottery, 115 grams, 88.50 x 31.11 mm. Circa 690 -1279 AD. A solid ceramic bowl that stands on a circular foot and is covered with a thick, viscous black and brown glaze applied in a way that allowed the two colours to mix. Sung dynasty scholars compared this type of glaze to the appearance of the fur of a black hare, hence the name "hare fur" striations. This style was the most popular during this period as it enhanced the natural colour of the tea. For practical purposes, the thick walls of the bowl also reduced the risk of burning one's hands from the hot tea, allowing the aroma to be appreciated more. Thus, bowls in black glaze such as this, a product of Chien-yang in Fukien province, were considered some of the finest utensils for the art of tea. Records also show that this ware was also admired and used at court in the Northern Sung. Reference: Mowry, R.D. Hare’s Fur, Tortoiseshell, and Partridge Feathers, Chinese Brown- and Black-Glazed Ceramics, 400-1400, Cambridge, Mass. 1995, p. 214. A good example in very fine condition. Provenance: from an old English collection.

Clay, 360 grams, 201 mm. Circa 1368-1644 AD. Frontal facing male servant standing upon integral two tier base, wearing long green glazed robes with long sleeves. Right arm is held up to the side of the face, left arm is relaxed at side concealed by long sleeves of gown. Good facial features surmounted by tall rounded hat. Reference: for similar cf. Harrison-Hall BMC press 20:23. A good example in very fine condition. Provenance: from an old English collection.

Glazed pottery, 190 grams, 124.99 x 41.61 mm. Circa 690 -1279 AD. A large solid ceramic bowl that stands on a circular foot and is covered with a thick, viscous black and brown glaze applied in a way that allowed the two colours to mix. Sung dynasty scholars compared this type of glaze to the appearance of the fur of a black hare, hence the name "hare fur" striations. This style was the most popular during this period as it enhanced the natural colour of the tea. For practical purposes, the thick walls of the bowl also reduced the risk of burning one's hands from the hot tea, allowing the aroma to be appreciated more. Thus, bowls in black glaze such as this, a product of Chien-yang in Fukien province, were considered some of the finest utensils for the art of tea. Records also show that this ware was also admired and used at court in the Northern Sung. Reference: Mowry, R.D. Hare’s Fur, Tortoiseshell, and Partridge Feathers, Chinese Brown- and Black-Glazed Ceramics, 400-1400, Cambridge, Mass. 1995, p. 214. A good example in very fine condition. Provenance: from an old English collection.

Clay, 440 grams, 221 mm. Circa 1368-1644 AD. Frontal facing male servant standing upon integral two tier base, wearing long green glazed robes with long sleeves. Left arm is held up to the side of the face, right arm is relaxed at side concealed by long sleeves of gown. Good facial features surmounted by tall rounded hat. Reference: for similar cf. Harrison-Hall BMC press 20:23. A good example in very fine condition. Provenance: from an old English collection.

Clay, 415 grams; 280.28 mm. Circa 618-906 AD. A beautiful representation of a court lady wearing a long sleeve gown and a long scarf across the shoulders and down to the hands, it then hangs down in front of her legs. The facial features are very bold with traces of red lip colour and the hair is tied up in a bun on top of her head. Inscribed on the lower section of the back are a series of letter symbols. A good example rejoined in two places otherwise in very fine condition. Ex Ancient Art.

Clay, 525 grams, 232 mm. Circa 1368-1644 AD. Frontal facing male servant standing upon integral two tier base, wearing long green glazed robes with long sleeves. Right arm is held in front, left arm is relaxed at side concealed by long sleeves of gown. Good facial features surmounted by tall rounded hat. Reference: for similar cf. Harrison-Hall BMC press 20:23. A good example in very fine condition. Provenance: from an old English collection.

Clay, 315 grams; 209.65 mm. Circa 1368-1644 AD. A frontal facing male servant standing upon integral two tier base, wearing long green glazed robes with long sleeves fastened around the middle; loose fitting trousers, cross over neck and long sleeves. Both arms raised in front with tight fists. Good facial features surmounted by tall mushroom shaped hat. Ref: for similar cf. Harrison-Hall BMC press 20:23. A good example in very fine condition. Ex old English collection.

Clay, 105 grams, 126 mm. Circa 1368-1644 AD. Frontal facing male servant standing upon integral two tier base, wearing long green glazed robes with long sleeves. The hands are held together in front covered by a shawl, arms concealed by long sleeves of gown. Good facial features surmounted by tall rounded hat, with some encrustation. Reference: for similar cf. Harrison-Hall BMC press 20:23. A good example in fine condition. Provenance: from an old English collection.

Clay, 195 grams; 86.40 x 79.26 mm. Circa 960-1279 AD. A crude representation of an ox, hand moulded in a hollow form and made from grey clay with white pigment wash. The body is wide and stands on short legs with an incised line decoration around the sides, probably to indicate fur. The head is large and has deep set eyes and nostrils with horns pointing back and ears below. A rare and interesting piece, small part of horn and ear missing otherwise in very fine condition. Ex old English collection.

Copper alloy, 23.56 grams; 118.71 mm. Circa 1st Millenium BC. A large torpedo-shaped arrowhead with four long fins and a long tang. An extremely rare type for which we can find no parallel. Good very fine condition.

Glazed pottery, 155 grams, 148.68 mm. Circa 16th century AD. A plain pale glazed bowl that sits on a circular rimed foot and is detailed with an unglazed strip around the rim on both sides. A good example in very fine condition. Ex old English collection.

Glazed pottery, 155 grams, 148.68 mm. Circa 16th century AD. A plain pale glazed bowl that sits on a circular rimed foot and is detailed with a brown strip around the rim on both sides. A good example in very fine condition. Ex old English collection.